Five marketing implications for a multiscreen world


The recent Q2 2015 Australian Multi-Screen Report – from Regional TAM, OzTAM and Nielsen, underlines the trend in declining broadcast TV viewership and a consequent rise in viewing on other screens. In this review I enumerate five key stats and their implications for marketers.

Finding: TV still accounts for 88% of video viewing, with 90% of this live broadcast

Implication: TV still rules all video screens

Linear TV alone has the ability to aggregate large audiences upwards of 900mn within a short window. This proposition has and will always be attractive to brand and retail advertisers who need to quickly build reach for a new product launch or tactical message. This is why sports properties are grabbed for huge sums and reality TV shows are often flagship properties for television channels. Unlike online video which is silent and skippable, TV offers an interruptive audio-visual combination to a captive audience which is better for message delivery. Apart from building awareness through TV spots, savvy advertisers can also use TV properties as a platform for deeper audience engagement through program integration and off-air activations.

Finding: Multiple screen ownership and usage is on the rise

Implication: Tell campaign stories across screens

The learning for marketers is to create video content that is consistent across screens and seamlessly continues the narrative. Storytelling tactics include targeting people who saw your Facebook ads with a follow-up ad on Instagram or, retargeting people who saw one of your videos on YouTube with videos that continue the story. Through the power of programmatic technology at my company ZenithOptimedia we are syncing our mobile video ads to appear at the same time our own brand spots or those of our direct competitors air on TV.

Finding: 12% of viewing is on non-TV connected devices

Implication: Adopt dynamic advertising formats native to each screen

As linear TV viewing dwindles and viewer’s time-shift, the ‘hero’ 30 sec brand commercial in ad breaks is no longer the only format to focus on. TV ads need to be more than they’ve always been and offer elements like mobile interactivity (Shazam) as well as supplementary online content (extras, behind-the-scenes). As vertical screen usage rises, video assets now have to be created separately for this different orientation. In online environments, ads autoplay often on silent mode – the creative needs to have prominent branding in the first 0-5 seconds before users have the option to skip or a view is charged. In our experiments we are seeing strong interaction rates with formats like Innovid and YouTube shoppable ads.

Finding: Younger audiences migrating away from broadcast TV to other screens

Implication: Follow young age groups to the platforms they spend most time with

Increasingly younger audiences are tuning out of mainstream media and into video content delivered by new media outlets like VICE and Buzzfeed. Similarly, YouTube content creators have huge social and cultural clout among their many followers and generate millions of views via their channels. Marketers need to carve out of their television commercial production budgets to tap into these influential channels in order to resonate with future generations.

The concept of waiting months for a new series in the US to air locally is alien to the next generation of adults as is waiting a week for subsequent episodes. In this era, Netflix and pirate sites aren’t the enemy – they have merely served changing consumer demand for immediate choice and binge watching.

Finding: Television is increasing being used for other purposes (up 2:24 yoy)

Implication: Don’t over-focus on content at the expense of placement

While a lot of the focus has been on content, how Australians set up their entertainment has also changed. OTT and streaming devices like Chromecast, Roku and Apple TV are increasingly becoming common in our homes and content creators will have to ensure their integration into the major distribution platforms. Currently these platforms lack content that TV viewers desire but once they do we may well be accessing content via apps on our television sets instead of switching channels on a remote. Marketers need to follow the path of savvy marketers who have trialed new opportunities like Honda’s Honda in-program integration with US program Community or Redbull who developed their own bespoke channel.


For true cross-screen campaign management, there needs to be consensus on a common currency at both the buying and evaluation stages. The ideal scenario for any marketer is to have campaign reporting on audience reach (and duplication) across all the screens that a piece of content was run. This would include linear TV, subscription TV, connected TVs, game consoles and all online devices irrespective of the type of buy being direct, self-managed or programmatic. The challenge is three-pronged; finding a robust way to measure usage across devices, reworking historical trading practices and most importantly bringing competing parties to agree on the common currency.

In the future a video strategy will no longer be about creating one video and then distributing it across every screen in the same form. Programmers and content creators will aim to deliver content that is available on-demand on every screen. The media companies who come out in front will be the ones who transform their business models to rely on multiple content monetisation and distribution streams. And those organisations that solve the total video measurement conundrum and prove cross-platform evidence of success will win the lions share of brand dollars from advertisers.


YouTube – The truth beyond Cats, Dogs & Babies

At the end of last year YouTube revamped its analytics dashboard for users who upload videos on the website. YouTube Insights is now YouTube Analytics, though the previous interface can be accessed for a limited time.

This is a screenshot of the Overview report from my YouTube channel.

I’m pleased there is a separate section for Engagement Reports, which shows data on subscribers, likes, sharing stats etc. With YouTube now focused on ‘channels’ since the redesign last December channel owners will be keen to follow subscriber counts the way Facebook admins put a premium on acquiring high fan counts.

Within the Views Report,  Traffic sources and Playback locations (formerly under Discovery) are now separate sections. If you use Adwords Promoted Videos and True View advertising to promote your channel, the Traffic sources report will tell you what proportion of views come from paid advertising. A new section I noticed is Audience Retention which indicates retention level for every moment of the video. This is useful for video content creators to understand how video drop-off levels are affected by content at specific points of an uploaded video or by duration of the video.

With better insights on how viewers discover, engage and share video content online marketers can now make more data driven conclusions on what’s working in online video.


Online Video Australia 2010 statistics wrap

Online video was the medium that really exploded in uptake this year. Marketers will need to seriously consider video as part of their display buying and site optimisation strategies in 2011. Here we look back at some of the top Australian stats for online video that emerged in 2010.

10.3 mn unique viewers consumed online video content in October 2010 (Comscore)

Total of 961mn videos were watched in Oct’ 10 at an average of 8 hours per viewer (Comscore)

The top 3 online video networks in July’10 by potential reach of UV’s were SpotXchange (5.4 mn UV’s), Adconion (5.1 mn UV’s) and YuMe (4.1 mn UV’s) (Comscore)

Top video properties are Google Sites (503 mn videos and 52.4% share); Microsoft sites (33.2 mn videos and 3.5% share) and Facebook (13.5 mn videos and 1.4% share) (Comscore)

Google Sites attracted the largest audience with 8.3 million video viewers, followed by Microsoft Sites with 3.2 million viewers and with 2.7 million viewers. (Comscore)

Men spend double the time (10.1 hrs) on online video than women (5.2 hrs). (Comscore)

The 15-24 segment consume the most amount of video regardless of gender while the 25-34 spends most time watching video (Comscore)

Australia has a low index (65) of video consumption at work vs other APAC countries like China (151), HK (147) and India (146)  (Nielsen)

APAC, Latin America and the Middle East lead in online video usage. Australia’s index value is 86 to 90 for the USA on the index of global video usage by market. (Nielsen)

Video based advertising comprised $8.4m of advertising expenditure in Q3 2010 (IAB, PWC)